NSO臺灣愛樂交響樂團《浪漫 奔騰》— 2015香港音樂會
Romanticism Undefiled by Taiwan Philharmonic Symphony Orchestra
票價：680 480 380 280
What is Composition? The Musical Murakami Haruki
01.11 演 出 者：
指揮／呂紹嘉 SHAO-CHIA LÜ, conductor
鋼琴／嚴俊傑 CHUNCHIEH YEN, piano
臺灣愛樂交響樂團 Taiwan Philharmonic Symphony Orchestra
孟德爾頌：第一號鋼琴協奏曲, G小調, 作品25
布拉姆斯:：第二號交響曲, D 大調, 作品 73
Shao-Chia Lü/ Conductor
“(Shao-Chia Lü) bietet der Klangkörper in der Philharmonie ein Bild erstrebter Makellosigkeit.“
Lü’s approach to Wagner seemed to take its cue from his strong affiliation with Iatlian opera, which resulted in an intensely lyrical interpretation that flowed with ease.
American Record Guide
Lyricism is at the heart of Lü’s style, and he brought this quality to Die Walkure as well. The result was a fluid, flowing approach, not a ponderous or weighty one.
der neue Merker
“Under Lü, (NSO) made the fin-de-siecle sound world idiomatic. He coaxed from them a burnished, glowing sound that showed off Strauss’ (Elektra’s) luscious orchestration.” — OPERA
Taiwan-born conductor Shao-Chia Lü studied music in Taipei, later at the Indiana University in Bloomington, USA, and also at the College of Music Vienna. His training was topped off with three important first prizes at renowned international conductor competitions: Besancon, Trento and Amsterdam.
In 1995, he began his opera career as Erster Kapellmeister at the Komische Oper Berlin. Numerous guest performances followed, including the Australian Opera Sydney and the English National Opera, the Theatre de la Monnaie in Brussels, the opera houses of Frankfurt, Hamburg and Stuttgart as well as the Deutsche Oper Berlin. In 1998, Shao-Chia Lü took over the position of General Music Director of both the Staatsorchester Rheinische Philharmonie Koblenz and the Koblenz Theatre.
Shao-Chia Lü, as General Music Director of the Staatsoper Hannover between 2001 and 2006, has established himself firmly as an excellent opera conductor through numerous outstanding performances during this period of such repertoire as: Aida, Ernani, Le nozze di Figaro, Jenufa, Vec Makropulos, Fidelio, Turandot, Madama Butterfly, Tosca, Tristan und Isolde, Der fliegende Holländer, Wozzeck, Der Rosenkavalier, Elektra and Salome.... In the summer 2004, Shao-Chia Lü and the Staatsoper Hannover earned international acknowledgement by performing Pelléas et Mélisande at the renowned Vienna and Edinburgh Festivals.
Shao-Chia Lü's recent opera engagements include: Parsifal , Katja Kabanowa and Tosca in Goteborg, Sweden, La fanciulla del West in Stuttgart, Eugene Onegin at the Komische Oper Berlin, Madama Butterfly, Tosca and La Bohème in Sydney and Melbourne.
Alongside his opera activities, Shao-Chia Lü is equally at home on concert podiums. In 1994, he had his debut with the Münchner Philharmoniker by replacing Sergiu Celibidache at the last moment for two unchanged programms (including Bruckner’s Symphony No. 8). The triumph of these concerts brought him several further invitations from this orchestra. Apart from the Münchner Philharmoniker, Lü has worked repeatedly with many leading European orchestras, such as the Oslo Philharmonic, the Orchestra Sinfonica di Santa Cecilia in Rome, the Norwegian and Swedish Radio Orchestra, the Helsinki Philharmonic Orchestra, the Royal Liverpool Philharmonic, the Bournemouth Symphony Orchestra, the Goteborg Symphonics, the Orchestre National de France, the SWR Stuttgart, the Rundfunksinfonieorchster Berlin, the Staatskapelle Weimar and the Frankfurter Museumsorchester. In November 2011, Shao-Chia Lü made his much acclaimed debut with the Royal Concertgebouw Orchestra in Amsterdam. In Asia, after his debut with New Japan Philharmonic in December 2012, Shao-Chia Lü was invited to conduct the Tokyo Metropolitan Symphony Orchestra and the NHK Symphony Orchestra, among others, during the 2013/2014 season.
Shao-Chia Lü has been Music Director of the Taiwan Philharmonic (the National Symphony Orchestra of Taiwan) since August 2010.
CHUN-CHIEH YEN, piano
Chun-Chieh Yen has concertized in Europe, Asia, and America, embracing a wide range of repertoire. Concerto performances take Yen to orchestras all over the world including the Russian National Orchestra, Staatsorchester Rheinische Philharmonie, and the National Symphony Orchestra of Taiwan. He has enjoyed collaborations with many conductors, including Mikhail Pletnev, Henry Mazer, Uri Mayer, Shao-Chia Lü, Gernot Schmalfuss and Günther Herbig. Yen won numerous prizes, including Third Prize at the International Youth Tchaikovsky Competition (1997), First Prize at the 4th Hamamatsu
International Academy Piano Competition in Japan (1999), and Third Prize at the 4th Prokofiev International Competition in St. Petersburg (2004). His album on Universal also earned him the award of Best Classical Performer at the 19th Golden Melody Awards in Taiwan. Currently Assistant Professor of Piano at the National Taiwan Normal University.
Taiwan Philharmonic (NSO)
Founded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra at home, is hailed as one of the best orchestras in the Asian Region and became the resident orchestra of the National Chiang Kai-Shek Cultural Center in 2005. Starting April 2014, the NSO has become an affiliate orchestra to the National Performing Arts Center. Led by renowned conductor Shao-Chia Lü as its 5th music director starting August 2010, the NSO has increased the country’s cultural richness and music educational strength throughout Taiwan.
The NSO with 99 members presents a 40-week musical season of approximately 75 concerts/chamber recitals and one opera production each year. It also launched educational programs and outreach projects constantly. Tour performances are regularly offered throughout Taiwan and overseas. It has toured to Vienna, Paris, Berlin, Geneva, Milan, Singapore, Kuala Lumpur, Sapporo, Tokyo, Yokohama, Hong Kong and major cities in China.
The NSO works with internationally acclaimed conductors, such as Lorin Maazel, Krzysztof Penderecki, Rudolf Barshai, Leonard Slatkin, Christopher Hogwood, Oleg Caetani, Gennady Rozhdestvensky, Michael Sanderling and soloists, including Midori, Vadim Repin, Hilary Hahn, Baiba Skride, Viviane Hagner, Yo-Yo Ma, Gautier Capuçon, Alban Gerhardt, Mischa Maisky, Sol Gabetta, Evelyn Glennie, Martin Grubinger, Louis Lortie, Kun-Woo Paik, Stephen Hough, Stephen Kovacevich, Katia & Marielle Labèque, Sabine Meyer, Reinhold Friedrich and many others.
The NSO has extended its artistic reach, involving in theater and opera productions, such as working with Lin Hwai-min, the world-renowned choreographer and founder of Taiwan’s Cloud Gate Dance Theatre, Austrian digital artist Klaus Obermaier, and opera stage directors Tobias Richter, Moffatt Oxenbould, and Hans-Peter Lehmann. In addition to its record-breaking semi-stage concert operas Der Ring des Nibelungen, and Elektra, the NSO has collaborated with world-class opera houses for its multinational productions, such as Der Rosenkavalier (Deutsche Oper am Rhein, 2007), Carmen (Royal Opera House Covent Garden, Norwegian National Opera and Opera Australia, 2009), Madama Butterfly (Opera Australia, 2012) , Fidelio (Zurich Operahaus, 2015) as well as in-house production Die Walküre (2013), and Salome (2014).
MING-HSIU YEN: Flying Towards the Horizon
FELIX MENDELSSOHN: Piano Concerto No. 1, Op. 25, G minor
JOHANNES BRAHMS: Symphony No. 2